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試論古箏藝術(shù)的表情性
畢業(yè)論文
摘 要
古箏是我國(guó)獨(dú)有的、特有的、重要的民族彈撥樂器之1，現(xiàn)今古箏的發(fā)展10分引人矚目。為了拓展古箏藝術(shù)的發(fā)展空間，增強(qiáng)古箏藝術(shù)的表現(xiàn)力，研究古箏藝術(shù)的表情性就成了最關(guān)鍵的問題。文章通過分析表情性，對(duì)比音樂和表情的關(guān)系，深入研究古箏的表現(xiàn)力，來了解古箏是通過文字（樂曲的標(biāo)題）、音色、技法、樂曲抒情來表情的；同時(shí)也說明了研究古箏的表情性對(duì)其發(fā)展有著重要的意義，對(duì)于推動(dòng)民族樂器的發(fā)展也有極其重要的促進(jìn)作用。
關(guān)鍵詞：表情性；技法；音色；抒情；表現(xiàn)力
ABSTRACT
Guzheng is the exclusive and unique, one of the important national plucked string instruments, the guzheng is the most remarkable development. In order to develop the zheng art the development space, strengthens the zheng art the expressive force, studied the zheng art the expression to become the most essential question. The article through the analytical table disposition, contrast music and the expression relations, studies the zheng thoroughly the expressive force, understood the zheng is (music title) the timbre technique music expresses feelings the expression through the writing; Simultaneously also explained studies the orphaned card the expression to have the vital significance to its development, also has the extremely important promoter action regarding the impetus nationality musical instrument development.
Key words: sexual techniques he draws lyrical performance edge
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