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愛的壓抑與偏至—論安娜.卡列尼娜的愛情悲劇及其現(xiàn)代啟示
摘 要
安娜•卡列尼娜是托爾斯泰筆下1個(gè)不朽的悲劇人物形象。本文著重分析安娜的愛情悲劇以及揭示其對(duì)現(xiàn)代的啟示意義。安娜的愛情悲劇經(jīng)歷了愛的壓抑與愛的偏至的兩極。愛的壓抑是沒有自我的愛，既被她的丈夫所壓抑，又被當(dāng)時(shí)所處的社會(huì)所壓抑。而愛的偏至是喪失了自我的愛，壓抑的愛被情人激發(fā)了之后，安娜將它作為自己唯1的追求。愛的壓抑與愛的偏至是安娜愛情的兩極誤區(qū)，表現(xiàn)出她在愛情上沒有真正地尋歸自我。現(xiàn)代女性在對(duì)待愛情上，應(yīng)該要求建立兩性之間的平等自由，在愛情面前保持獨(dú)立和完整的自我，避免安娜式的愛情誤區(qū)，尋找到真正的愛情。
關(guān)鍵詞：愛的壓抑；愛的偏至；現(xiàn)代啟示
ABSTRACT
Ana Kalenina is a secular tragic character in Toesita ’s works. This article analysis Anna’s love tragedy and reveals its apocalyptic meaning to modern society in particularly.
Ana’s love endures the inhibition and prejudice. While the inhibition is about person without thinking about herself, she is inhibited both by her husband and the society. As to the prejudice is a person who has lost herself. After her inhibited love wakened by her lover, Anna view it to be her only pursuing. The inhibition and the prejudice to love are the dead corner to Anna’s love, which is revealed by she does not have the character throughout her love.
So, when treating love, the modern women should set up a equal and free between the men; keep a independent and complete character when in love; avoid the dilemma situation as Anna, and find the true love.
Key words: inhibition of love; prejudice of love; apocalyptic meaning in modern society
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